International Competition – Animation Avantgarde
FREEZE FRAME by Soetkin Verstegen (BE/DE/FI)
LIQUID TRAITS OF AN IMAGE APPARATUS (FLÜSSIGE WESENSZÜGE EINER BILDAPPARATUR) by Vera Sebert (AT/DE)
MARCH OF THE THINKING MACHINES – GELBART by Adi Gelbart
SERIAL PARALLELS by Max Hattler (HK/DE)
THE TAWNY OWL (STECKBRIEF NATUR – FOLGE 1: DER WALDKAUZ) by Aleksandar Radan

International Competition – Fiction & Documentary
OPERA GLASSES by Mila Zhluktenko

Austrian Competition
BATTLEFIELD by Jannis Lenz (AT/DE)
THE BIRTHMARK by Pia Ilonka Schenk Jensen, Bernhard Hetzenauer (AT/MX/DK/DE/NO)
FOR FUCK’S SAKE, CHRISTIAN, WE’RE MAKING A PORN FILM (MENSCH CHRISTIAN, WIR DREH’N ‘NEN PORNO) by Jan Soldat (AT/DE)
FRAGMENTS OF WOMEN: GALILA (FRAUENFRAGMENTE: GALILA) by Sophie Gmeiner

Late Night
EXPLODING BUDS (KNOSPEN WOLLEN EXPLODIEREN) by Petra Schröder
SPLIT by Kai Schonrath
SPOT WITHOUT ADVERTISING (SPOT OHNE WERBUNG) by Marion Pfaus

Focus: Fair Enough
ALTITUDES (ALTURAS) by Roxana Reiss (DE/DK/PE)
WHERE WE USED TO SWIM by Daniel Asadi Faezi

Topic: Co Vadis, Pandemic?
1 BOTTLE O’WINE (1 FLASCHE WEIN) by Anne Isensee
ABOGAR – PEOPLE PART I by Robert Seidel
INFLORESCENCE by Nicolaas Schmidt
SUGAR by Bjørn Melhus

European Film Award Candidates
BLACK SUN by Arda Çiltepe (DE/TR)
OSLO by Shady Srour (IL/DE)

Austrian Short Film Show
ANIMISTICA by Nikki Schuster (AT/DE/MX)
FAVORITES (FAVORITEN) by Martin Monk (AT/DE)
IT HAS TO BE LIVED ONCE AND DREAMED TWICE by Rainer Kohlberger (AT/DE)